Today is a day like any other at the Julia Morgan Theatre in Berkeley. Actors hurry through the aisles to the stage, where voices ring out like a chorus of bells as Dave Moschler, the musical director, warms them up. There is an aura of excitement in the air that is palpable, as the young actors start singing the epilogue of Ragtime, our latest show, which opens on February 10th. The voices of the young actors fill up the entire theatre with sound, filling every pore of the theatre with music.
There is even more anticipation in the room than usual, because today is the sitzprobe for Ragtime—the chance for the cast to sit and sing through the show, accompanied for the first time by the orchestra. Forty chairs for the actors, and twenty six chairs for the instrumentalists, the biggest orchestra to ever perform in the Julia Morgan, is set up, and soon the light sound of a flute plays, and the actors and musicians take their seats, as all talking ceases instantly, and the orchestra begins to play.
As the evening progresses, it becomes clear that all the work the actors have put into the show has paid off. Totally unafraid to sing in front of twenty-six professional musicians, the actors relish the experience to sing with such a large orchestra supporting them. A very rare experience indeed.
Song fills the theatre with renewed vigor, as all the actors lend their voices to this spellbinding tale. As the last chords fade of the final act, the actors break out in cheers, applauding the orchestra as well as each other, congratulating everyone on a job well done.
Without any staging, set, costumes or lights, this music alone is a powerfully moving thing. We can hardly wait until opening night!
Here's a sneak peak of what I'm talking about.